Who are we
We are sisters, and since childhood we have drawn, painted, and created sculptures, jewelry, and much more.
We chose not to pursue formal studies in art, as for us these practices were already a natural, instinctive form of expression, skills rooted in our everyday lives.
We grew up not in an artistic milieu, which we have always kept at a distance, but surrounded by paint, brushes, and all kinds of materials for creative reuse.
We later chose to study disciplines unrelated to art—such as international relations and communication sciences—seeing them as additional sources of knowledge that enrich our creative practice. We are passionate about exploring different fields of culture, and even other professional paths, which is why we work with a team that supports us on a technical level. This allows us to organize our projects more efficiently, and in some cases even develop them "remotely," with contributions from other artists and artisans.
Working this way gives us the opportunity to produce a wider body of work—and because there are two of us, ideas tend to multiply.
Although painting is now at the center of our practice, our artistic journey began through constant experimentation.
Curiosity has always guided us, pushing us to explore different techniques, materials, and mediums.
Our approach remains rooted in exploration: we investigate traditional forms while reworking them into original expressions that move freely between painting and other aesthetic practices.
We draw inspiration from society and the world around us, observing it with enthusiasm and critical attention. Through our work, we seek to convey strong, meaningful messages, creating pieces that do not merely exist visually, but speak, question, and resonate.
We love working together ...
We often try to meet and work together, although it's not always possible since we spend long periods living far apart. Nevertheless, we develop our sketches by frequently combining each other's forms—either digitally or by painting them on paper. We discuss these shapes at length, continuously adjusting and reworking them until we reach the result we're aiming for.
We are interested in evoking overlapping distant images, bodies, gestures, brushstrokes on an evocative face.
We experiment with everything related to images; both pictorial and digital techniques yet always anchored to the human form even when it appears distorted.
